Tag Archive: indie press


In one of my earlier blogs, I mentioned that I had written seven novels the publishing industry was too myopic to see the brilliance of. Maybe you have one or two of those manuscripts hidden in your storage shed, too.

What prevented publication of these jewels? Well, don’t know about yours, but probably not over a thousand things in my case. Let’s start with what makes a reader turn pages and keep reading.

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Pretty prose and impeccable grammer will get us to the head of the class in a high school English class, but it won’t do much to get someone to read our work. Assuming we get our novel into the hands of John or Jane Q. Reader, we must interest him or her in actually reading the book if we want that person to buy any more or recommend ours to friends.

The thing that will cause someone to read our book and continue through to the end is CONFLICT. My rejected novels all started with a handsome hero or beautiful heroine who moved through the story gaining wealth or happiness without opposition. To my amazement, everybody except me considered that boring. There was no conflict.

Wait a minute. In one book, the heroine’s parents both died during the War Between the States. In another, the hero’s father was wrongly accused and found guilty of a crime. That’s conflict, isn’t it?

No, that’s not conflict. Those are BAD SITUATIONS. Sad to the characters, but boring to the reader. Conflict has to involve two characters whose objectives are at cross purposes to each other.

If my heroine had wanted to operate her father’s farm after he died and discovered another character owned mortgage papers from a loan he’d advanced her father, and if this other character wanted to repossess the land for his own purposes, there would have been the basis of a real conflict. I’d have had something that might interest a reader in turning from one page to the next.

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If my hero had tried to find evidence to exonerate his father only to run up against the criminal who had actually perpetrated the crimes his father was accused of, and that criminal worked actively to keep the father from being exonerated, I would have had a conflict that might have been worked into an interesting story. An agent of publisher might have seen some value to it.

Conflict is the driving force that keeps a reader interested and makes him or her want to read more. Without it, we’ve got a term paper or a family history or just some ramblings.

We need to have conflict in every scene—real conflict, not just bad situations. There must be an overall conflict, such as the criminal keeping my hero from finding the truth or the mortgage holder keeping my heroine from succeeding in her attempt to farm her family land successfully.

But an overall conflict is not enough. We can’t have a scene here that is driven by that conflict and then the next scene just showing a happy family eating dinner together. Each scene must involve some sort of conflict that prevents the hero from achieving some part of his goal, or at least a conflict that temporarily sidetracks the hero and keeps him too busy to pursue the goal.

How do we insure that conflict? Where does it come from? We’ll take a look at that in our next blog. Until then, keep on truckin’.

Ø Think back over the fiction you’ve written. Is it driven by real conflict, or do you just have characters going throug bad situations?

Ø Think about the novels you’ve liked best. How did the author work an overall conflict into scene-by-scene conflicts to keep you interested?

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In our last blog, we discussed goal-setting. No sense starting to write unless you know what your objective is. Now that you’ve decided you not only want to write but want to become a professional writer, what’s next?

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Unless we’re experienced columnists or reporters for newspaper or magazine, in which case we would have made the decision about becoming a professional a long time ago, we probably need some help. Very few of us were born with the knowledge of how to write, much less how to market ourselves and our writing to agents, publishers or the reading public.

Where can we get that help? If you’re a recent graduate with a teacher or professor who has real knowledge of writing and the publishing industry and with whom you have established a strong rapport, you might seek him or her out.

If your aunt happens to be Nora Roberts, or John Grisham is your brother-in-law, you might go to them. If you can catch them with the time to sit down and talk to you.

Most of us don’t happen to number people like that among our relatives and close friends. What do we do? Where can we turn for help?

How about a critique group? We can find them in most major cities—and a lot of small towns—across the country. Surely we can find one, even if we have to drive to the next town for the meetings.

But wait—are all critique groups created equal? Unfortunately, no.

So, how do we decide what group, if any, to join?

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Who is in the group? Are there any writers who are successfully getting published in the field we’re interested in? If everyone there writes poetry and we want to write novels, the group probably isn’t going to be that helpful.

Okay, here’s a group over here where everyone is working on a novel, but the only one who has one published is a guy who self-published and has sold 300 copies in the two years it’s been out. Do you think we’ll find the kind of expertise we need from that group? Somehow, I doubt it. If it’s the only group around, it may be better than nothing. We might find help editing our typos and misspellings, but that’s about it.

We need to find a group comprised of people working on the same sort of thing we want to write—preferably one where at least one member has had some success at it. If our bag is short stories, we need a group with several short story writers.

Oh, I forgot—you wanted to be a novelist. Okay. Good choice. So you need to find a group that includes knowledgeable and successful novelists with a handle not only on how to write a novel but also on how to market it.

Unfortunately, we’re not likely to find a group that includes J. K. Rowling. What should we do? One place we can start is to attend some writers’ conferences. We can Google them and find what’s available in our area. Then we can attend and rub elbows with the other attendees, asking questions about writers’ groups in our area.

We can talk to the speakers who present sessions at the conference. Most of them are friendly and willing to speak to us. See what suggestions they have to offer.

We can also friend people like Kristen Lamb (http://warriorwriters.wordpress.com/) and Bob Mayer (http://writeitforward.wordpress.com/) on Facebook and follow them on Twitter. Both are successful authors who understand today’s market and can offer a wealth of insight.

Kristen Lamb, my Warrior Writers’ Boot Camp co-founder, has an on-line group. She also leads our local group which meets weekly, and there’s a lot of progress being made in both groups. In fact, one of the members of the on-line group, Donna Collins Newton (www.donnanewton.wordpress.com), has been in Hollywood recently working out the details for a tv series based on her screenplay.

Another valuable tool is reading blogs of other writers. We can take advantage of the experience (read mistakes) of others and make the way for smoother sailing for ourselves.

Writers used to live in caves, isolated from the rest of the world, but we no longer have to be hermits. Nowadays, we are not alone, to steal from the title of Kristen Lamb’s best-selling book, We Are Not Alone–The Writers Guide to Social Media. As writers seeking to break through, we need to take advantage of every opportunity for help we can find.

Ø Are you taking advantage of all the help available to assist you in reaching your own personal goals?

Ø Is there a local critique group that is right for you?

Ø Do the group members help one another with characterization, plot and so forth, or do they just critique a few pages of your prose?

Ø Interested in joining Kristen Lamb’s online group? Start following her blogs at http://warriorwriters.wordpress.com/, as well as following her on Twitter and maybe friending her on FB. Then send her a DM or a FB message inquiring about joining.